The 100 Days Project
This year was the fourth year I’ve participated in the 100 Days Project. It is a creative exercise in which participants repeat the same artistic (little-a artistic, broad definition of art) process or task each day for 100 days. This is definitely of the quantity-over-quality-leads-to-quality school of thought.
I’ve done a variety of visual and written tasks in the past, and this year I combined the two in 100 lies we tell kids.
This year was the first year I’ve participated in the Day 100 Show. In fact, this year, there are three of these exhibitions. The Europe one was just for one day, in IJsselstein, in the Netherlands, but the Wellington show is on all week and the Auckland show is this coming weekend, so if you can get along, have a look at all the incredible collections people have put together over the past 100 days.
The Day 100 Show, in Europe, at the IJsselstein Library, last Saturday.
The ‘ninos’, the eyes, a few monkeys, and at the end the 5 year old twins’ ‘Hearts and Houses’ exhibit.
There were a dozen or so exhibitors and we managed to video chat, eventually, with Emma Rogan, the kiwi who started the whole project up a few years ago.
In the foreground: Luuk, being tech support, and figuring out how to get around Emma’s hotel wifi restrictions… which did eventually work.
In the background: 100 octopuses!
My absolute favourite were the blind contour drawings, a style thing I’m definitely going to have to try.
This artist drew all sorts of things but the drawings themselves were all kinds of weird and wonderful.
These giraffes were probably my favourite.
This the first time I’ve participated in an art exhibition and I absolutely loved it. Artistic community for the win, frankly, and going out for drinks and dinner and quadri-lingual conversation afterwards = all good. Bit tiring but GOOD.
The whole 100 days thing brings out some interesting stuff about artistic process and whatever it takes to call one’s self an artist. Some of the exhibitors displayed their work in day-by-day-order and I definitely noticed how the first half are kind of steady, good but perhaps a bit predictable, and then there’s a hitch in the middle, sometimes the quality isn’t so strong, motivation is low, perhaps a day or two get missed, but the second 50 days are really interesting. Things get a bit desperate, but creativity really comes into play. Those off-the-wall, bold ideas, which are hard to feel sure about at the time, come out, and often they’re the best bits of all. I’m very aware, as a writer, than when I’m working on a given scene I’m rarely certain of the quality of my work, and even if I’m certain, I’m not objective. I’m often wrong about the strength of my writing when I’m drafting it, but later I can see more clearly.
This project is a great way of gaining some confidence as an artist, to trust your own gut and try things, not expecting everything to work well, but knowing that good work comes out of LOTS OF WORK.
Luuk and I had the weekend on our own in the Netherlands. Mum arrived from NZ last Thursday and bravely babysat the kiddos for the weekend, despite jetlag. She’s staying for the holidays so we’ll be doing lots of Paris sights and perhaps Luuk and I will nab another couple of nights out with our handy live-in babysitter around. Louis is off school, though Elena’s nursery goes on as per usual, so Mum and I will have the kids with us most of the time – tomorrow, at the Louvre, and Thursday perhaps Montmartre.
As usual, I’m writing/editing in all the down-time – the kids are napping now, and whenever they’re busy playing I’ll snatch some words. I’m editing one project, though I got an editor’s report back on another this morning. A third is sitting in a couple of slush piles, and a fourth is probably a quarter of the way through draft 1 in my journal, perhaps ready to go for nanowrimo. Which may or may not happen, depending on my editing progress and the speed with which people get through their slush piles.
I have to say, it is rather good to have the 100 days project behind me. My photos and paintings and words from the project might, one day, boil down to make a fun coffee-table style book, but no mad rush there. It could make a good Christmas present, I suppose, but I just don’t see it happening in the next month or two. So if you want to read all the lies, have a scroll through my 100 days project page, here.